Dave Brubeck, Richard Avedon, and Me...
There's a way of playing safe, there's a way of using tricks and there's the way I like to play which is dangerously, where you're going to take a chance on making mistakes in order to create something you haven't created before.
Dave Brubeck
Jazz stands for freedom. It's supposed to be the voice of freedom. Get out there and improvise, and take chances and don't be a perfectionist - leave that to the classical musicians.
Dave Brubeck
Dave Brubeck is best known for his song "Take Five", the first jazz single to sell one million copies when it was released in 1959 - a nearly impossible feat for a jazz song then, and especially now. Though Dave was a prolific composer and wrote many jazz standards - "In Your Own Sweet Way", "The Duke", "Blue Rondo a la Turk" - "Take Five' was written by Paul Desmond, his longtime colleague and superlative alto saxophonist. The song derived its name from the unusual 5/4 time in which it was played. Interestingly, when Desmond died of lung cancer in 1977, he left all "Take Five" royalties to the American Red Cross, a nice stream of recurring revenues, I'm sure.
One night at the Blue Note in New York City, I was visiting with Dave after a concert and I asked him about the album cover shot by legendary photographer Richard Avedon for Jazz: Red Hot And Cool, released in 1955 on Columbia Records. I remarked that the model was wearing a beautiful red dress. He corrected me, "That was no dress. That was a piece of fabric that was draped (strategically) over her." While Dave looks and plays straight ahead, Paul Desmond's attention and focus is elsewhere.
Richard Avedon, a fashion and portrait photographer at Harper's Bizarre and Vogue for decades, also took portraits of Barbra Streisand, Simon & Garfunkel, Lena Horne, Sly & The Family Stone, and The Beatles for album covers. Avedon once said, "All photographs are accurate. None of them are the truth." He must not have been thinking about his Brubeck and Desmond photo on Jazz: Red Hot And Cool. It is a perfect metaphor for the two jazz men's disparate lives. Dave Brubeck, a teetotaler who never took drugs, was a devoted father and husband. Brubeck stares cheerily ahead, past the remonstrances of his comely, barely dressed suitor. In contrast, Paul Desmond was a womanizer and a dissolute, drug abusing alcoholic who died from lung cancer. Not an unexpected outcome for a man who chain smoked and once said, "I think I had it in the back of my mind that I wanted to sound like a dry martini." Paul Desmond stares exactly where you think he would, and Richard Avedon captured the truth in that photo.
Most days, I try to live like Dave Brubeck, but some days, I’d rather be Paul Desmond…
The artistry of Dave Brubeck, Paul Desmond and Richard Avedon colliding as they left enduring legacies of beauty in their works.
Choice Dave Brubeck Cuts (per BKs request)
https://www.youtube.com/watch?v=tT9Eh8wNMkw
"Take Five" Brubeck and Desmond, live in Belgium 1964
https://www.youtube.com/watch?v=vcnSDOJoEbI
"La Paloma Azul (The Blue Dove)" exquisite Mexican folk tune rendered by Brubeck, Desmond in Antibes, France 1967
https://www.youtube.com/watch?v=KBFzLEMvi4M
"Someday My Prince Will Come" Dave Digs Disney 1957
https://www.youtube.com/watch?v=KYlO3H40V2o
"Somewhere Over The Rainbow" Brubeck reinvents with beautiful chords and time changes
https://www.youtube.com/watch?v=1DXWJWkeVww
"Angel Eyes" Dave Brubeck Quartet 1962
https://www.youtube.com/watch?v=j9GgmGLPbWU
"Blue Rondo A La Turk" Live, 1959
all signed albums from the Kirk vinyl collection
copyright 2019